Home Harry Kappen's "Good Samaritans" Review
Home Harry Kappen's "Good Samaritans" Review

Harry Kappen's "Good Samaritans" Review

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It's followed by a guitar line that is sharp and full of movement, and suddenly, the whole song feels like it's leaning forward. There's a bit of energy in those first seconds, but there's a bit of warmth under it too. “Good Samaritans” by Harry Kappen is not too difficult to get sucked into. Then it's time to consider something else.


This song was created by Harry Kappen to honor those who do things without drawing attention to themselves or posting a picture. The concept is at the core of the song, and as soon as you grasp that, the music is easier to understand. The bounce and swagger are not a display of muscle. They feel more like quiet confidence.


The electric guitars bring the bite, and the country feel in the melodies brings the warmth and humanity. There are also minor layers and textures underneath, giving the song some room and keeping everything balanced. It's louder but still intimate.


The song definitely evokes the spirit of David Bowie in its tone and attitude, and is released in the 10th anniversary year of his passing. Kappen takes some of that spirit and makes it his own, which gives the song its own character.


It's the choruses that are lifted by Mexican singer Danna Gomez. She is able to play off Kappen's consistent lead voice, which creates a good balance. It's bright without taking away from the warmth of the song.


The song isn't mainly about the move, but it's certainly part of Kappen's album After the Crossing, which is his first album released since relocating from the Netherlands to Mexico. New vitality here, and a gentle tenderness to it.


I think what has stuck with me is the concept behind the song. When no one is paying attention, that's when the people to look up to are at their best. We are all surrounded by performance and filtered images, forced smiles and constructed images. This song points somewhere else, to the simple and unnoticed good.


The second half is more intense and never slows down. The guitar solo is the perfect moment to get out of the song, allowing it to be released at the right time in the right way. It is concise, to the point, and feels at home.


I don't just remember the guitars when the song is finished. I remember the concept behind them. Perhaps those who need the most attention are the ones who don't ask for it. I can't get that thought out of my mind, and in some way, the song sounds even louder after it's over.



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